2018 AD.
The time of the Cold Peace, worse even than the Cold War. The bureaucratic regimes that rule from Washington and
Moscow are indistinguishable in their passion for total repression. But in the West, a few dedicated individuals
still struggle to find a way out of the trap of human history. Behind the screen of official research their
desperate project is nearing completion...
To be honest, I thought the iconic Boston album cover was inspired by the Cities in Flight series,
of which They Shall Have Stars is the first in the series. But I can find no evidence of that.
For old science fiction, this one had some elements to it that were surprisingly not dated.
There were female characters—one major, one minor—that held technical jobs. Both were
described as being rather plain instead of being made to uphold the era's standard of beauty. One
woman's Latin name was just that, a name, as "such once-valid tickets no longer meant anything
among the West's uniformly mixed-race population." Blish was apparently downright progressive
for his time.
While paper is still a thing, robots can be operated remotely via VR gear. "Believer" terrorists
spray gasses at people to induce feelings of euphoria or shame. Fireworks can be designed to
bring sparkling messages to the sky.
Published in 1956, Blish was living in an America deep in the Cold War and infected by
McCarthyism. So he took that fear
and paranoia and ran with it. Domestic spying is rampant, and everyone, including Congressmen, has to watch
what they say and do lest they be tossed in prison. But there's one senator that's determined to restore
freedom to his fellow Americans.
But Big Science is still a thing. There's a "bridge to nowhere" down in the depths of Jupiter being used
for scientific study and experiments. Remote workers on Jupiter's moons use VR to control robots on the
bridge to affect repairs in the gas giant's tumultuous atmosphere. The experience can be off-putting
and tends to stress out the workers.
And some astronaut has retrieved soil samples for a pharmaceutical company in hopes of discovering
something useful to aid mankind. He's miffed that no one at the company is dropping everything to
attend to him. While waiting he gets suspicious that there's something going on at the company.
Impatient with waiting, he gets downright mean with a receptionist, and it takes a while for him
to stop being an ass.
These three plotlines take nearly the entire length of this short novel (novella by today's standards)
to bear fruit. I couldn't figure out where any of them were leading or how they were connected until
the big reveal. The astronaut's work with the pharmaceutical company offered some clues, but the
disgruntled bridge worker's story was just so much angst. If the individual storylines did more,
then I would've liked it more.
3 stars
\_/
DED
Wednesday, June 26, 2024
Wednesday, June 5, 2024
Book Review - The Integral Trees
Larry
Niven is most well known for his Ringworld series. Therein, he established his hard sci-fi credentials
with his elaborate world-building, an artificially constructed ring around a star providing enough livable
surface area equivalent to thousands of Earths. And true to form, this book's strength is its
world-building. It posits a star system composed of a G-class star in orbit around a neutron star.
Closer in, the neutron star has a doughnut-shaped ring of gas fed by a gas giant, whose atmosphere
is slowly being stripped by said neutron star. Life exists here in the form of kilometers-long
trees, shaped like integrals (you know, the kind from Calculus), inhabited by alien birds and
insects. Free floating ponds (giant spheres of water) occasionally crash into the trees, providing
life sustaining water.
An exploration vessel from Earth happened upon this system. The entire crew of the ship disembarked, telling the ship's AI that they wanted a close-up look. But they never returned, choosing to settle there instead rather than live under the oppressive Terran government, simply referred to as "the State." The story picks up 500 years later. The AI is annoyed but still has some measure of patience.
The descendants of these mutineers have split into tribes and live on separate trees or opposite ends of the same tree. They've adapted to these new low gravity conditions while technology has almost all but reverted to primitive means. And so does the culture! Back to patriarchy! Oh yay!
Niven's early work is guilty—as many sci-fi authors of his generation are—of being stuck with outdated attitudes about women. This early 80s story shows a modicum of progress, but still clings to the past. In one tribe, there's a group of women warriors who patrol and hunt, but it's because the other option is to just cook and make babies. One character joins this group because she was tired of being groped all the time. She wants to find some kind of middle ground, but can't find it in her tribe. Others in this group are hinted at being lesbians, and there's one man who's been granted the "courtesy" of joining as he's gay. In other tribes, women have multiple roles, and in one, a woman is a scientist-apprentice. But lest you think this tribe is progressive, they take slaves from other tribes. The men are forced into labor while the women do the cooking and laundry while occasionally serving as "comfort women."
Niven flits about with which character runs the narrative, so we get multiple POVs within the same chapter. Just as we get to know a character, the POV switches and that's that. We start with the AI, then Gavving, the teenager coming into manhood, and then he-man Clave takes over with his twin girlfriends (eyeroll). The character of Merrill was born without legs, but we never get her POV of things.
It was an entertaining read for the first 70 pages, but after that, the writing felt amateurish. It was like Niven put most of his effort into the world-building and the start of the story, but didn't have anything left to continue. With his editor complaining about a deadline (I have no idea. I'm just making this part up.), he had an event hijack the story, forcing the characters into a slave rescue plot.
While this book is listed as being in the same series as A World Out of Time, there's no connection to it other than a reference to the nefarious State.
3 stars
\_/
DED
An exploration vessel from Earth happened upon this system. The entire crew of the ship disembarked, telling the ship's AI that they wanted a close-up look. But they never returned, choosing to settle there instead rather than live under the oppressive Terran government, simply referred to as "the State." The story picks up 500 years later. The AI is annoyed but still has some measure of patience.
The descendants of these mutineers have split into tribes and live on separate trees or opposite ends of the same tree. They've adapted to these new low gravity conditions while technology has almost all but reverted to primitive means. And so does the culture! Back to patriarchy! Oh yay!
Niven's early work is guilty—as many sci-fi authors of his generation are—of being stuck with outdated attitudes about women. This early 80s story shows a modicum of progress, but still clings to the past. In one tribe, there's a group of women warriors who patrol and hunt, but it's because the other option is to just cook and make babies. One character joins this group because she was tired of being groped all the time. She wants to find some kind of middle ground, but can't find it in her tribe. Others in this group are hinted at being lesbians, and there's one man who's been granted the "courtesy" of joining as he's gay. In other tribes, women have multiple roles, and in one, a woman is a scientist-apprentice. But lest you think this tribe is progressive, they take slaves from other tribes. The men are forced into labor while the women do the cooking and laundry while occasionally serving as "comfort women."
Niven flits about with which character runs the narrative, so we get multiple POVs within the same chapter. Just as we get to know a character, the POV switches and that's that. We start with the AI, then Gavving, the teenager coming into manhood, and then he-man Clave takes over with his twin girlfriends (eyeroll). The character of Merrill was born without legs, but we never get her POV of things.
It was an entertaining read for the first 70 pages, but after that, the writing felt amateurish. It was like Niven put most of his effort into the world-building and the start of the story, but didn't have anything left to continue. With his editor complaining about a deadline (I have no idea. I'm just making this part up.), he had an event hijack the story, forcing the characters into a slave rescue plot.
While this book is listed as being in the same series as A World Out of Time, there's no connection to it other than a reference to the nefarious State.
3 stars
\_/
DED
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