Book Review - Sailing Bright Eternity

If you made it this far into the series, congratulations. Whether or not you'll like how it ends is a bit of a coin toss.

We learn that the old man at the end of Furious Gulf is none other than Nigel Walmsley. Someone how the jerk protagonist from the first two books managed to survive some 30,000+ years (time dilation and really advanced technology helped) and is now present to help Toby escape the Mechanicals that have been pursuing him. So the first solid chunk of the book is a flashback of Nigel's life since arriving here at the Galactic Center. Amazingly enough, the man changed! He's gone from being a jerk to a curmudgeon. Yes, that's an improvement. He's been humbled by marriage and parenthood, not to mention the discoveries made at the Galactic Center and how humanity fits into the galactic pecking order. But loss probably shaped him the most. This Nigel I liked, but I couldn't help but feel that the guy is a stand-in for Benford himself.

But the Mechanicals get the upper hand, errr appendage, and Toby is off on his own, wandering through those volatile estys again, trying to find his father or, at least, other Bishops. At one point, the whole thing transforms into the sci-fi adventures of Huckleberry Finn on the space-time-river equivalent of the Mississippi. I really wondered where Benford was going with this. It had its moments but it seemed like a distraction. Ultimately, this section comes to an abrupt end, and Toby is reunited with Killeen.

There's a final showdown with the Mantis, which was needed as the thing was responsible for so much suffering. The method of resolution was unexpected, but fitting. Afterwards, there's a bit of a long epilogue as we see glimpses of our main characters' lives. I found it to be a bit sad. There is no "happily ever after," but there is an after. And the takeaway borrows thematically from Shakespeare:

All the world's a stage,
And all the men and women merely Players;

Benford could be considered guilty of meandering around with metaphysical speculation about higher lifeforms, but I can forgive him for that. We humans have this arrogance that the world—you could argue the universe—revolves around us. We are blissfully ignorant of older and far more advanced lifeforms in the universe, and our narcissism boasts that they don't exist because we don't have proof of them having visited us, as if we were so special that we merited being fawned over. It's a conceit that Benford doesn't ascribe to.

3.75 stars

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DED

Book Review: Lines of Deception

West Germany, 1949. Former actor Max Kaspar suffered greatly in the Second World War. Now he owns a nightclub in Munich—and occasionally lends a hand to the newly formed CIA. Meanwhile, his brother Harry has ventured beyond the Iron Curtain to rescue an American scientist. When Harry is also taken captive, Max resolves to locate his brother at all costs. The last thing he expects is for Harry to go rogue.

Max's treacherous quest takes him to Vienna and Prague to Soviet East Germany and Communist Poland. Along the way, dangerous operators from Harry's past join the pursuit: his former lover Katarina, who's working for the Israelis, and former Nazi Hartmut Dietz, now an agent of East German intelligence. But can anyone be trusted? Even the American scientist Stanley Samaras may not be the hero Harry had believed him to be...

In the fourth novel of the Kaspar Brothers series, Steve Anderson cranks up the dramatic tension. The story is set in a postwar Europe transitioning to the Cold War. The Soviets have begun to flex their muscles in Europe, and the Americans are trying to hold them off while the U.K. and France are busy mending their wounds. Weary of war, all sides have resorted to brinkmanship to see who takes the leadership role for the second half of the twentieth century.

Into this setting, we reunite with Max, who we first met in The Losing Role, where he was an operative in Operation Greif during the Battle of the Bulge. Max spent most of that novel running scared, fearing for his life. He wasn't a hardened soldier or zealous SS officer. He was just a down an out German actor conscripted into service.

But since the war, he's spent the time trying to forget it, except when he's called upon to do the right thing (as in Lost Kin) because the factions may have changed, but there are still evil men in the world bullying the weak and downtrodden. And it makes him angry. When he's visited by an odd, little man while working at his nightclub that anger resurfaces. The man claims that Max's brother Harry is being held for ransom, which Max must deliver. Max is furiously protective of his brother and can barely restrain himself from taking it out on the messenger. Later, when Max encounters the man responsible for the death of a dear friend, he so desperately wants the man to suffer, but as the man is necessary to complete the mission, he has to tamp down that anger.

As suggested in the book blurb, no one is completely forthright with Max. Whether that's to protect him or deceive him is dependent on the person in question. It leads to a constant string of surprises for Max (and the reader), forcing him to react quickly or change plans in order to find his brother and get home safely. He reacts differently to these deceptions. They become a way for him to work through his anger, on some level accepting what he cannot change, which leaves him exhausted.

Lines of Deception is another solid entry in the Kaspar Brothers series. The setting is thoroughly researched with Anderson dragging in historical events to craft a credible and entertaining story. Strong characterization leads the reader into believing what the characters are telling Max, but when their deceptions are revealed, it doesn't strike one as being out of character. One realizes that Anderson left clues all along the way. Ultimately, it enables Anderson to turn a spy thriller into catharsis for his protagonist.

4 stars

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DED

Book Review: Furious Gulf

Trying to escape the relentless mechs, the last humans from the planet Snowglade take their ancient starship on a dangerous course straight into the Eater, the black hole at the galactic center. Hungry and desperate, the refugees begin to question the leadership of Captain Killeen, who believes the center holds their one hope of survival. Meanwhile, Killeen's son Toby struggles with the microchips that were implanted in his spine—a technology that now threatens his sanity. Caught between their genocidal pursuers and peril in the galactic center, Killeen and Toby bring humanity to its final destiny.

So this chapter in the Galactic Center saga is told from Toby's POV. Life isn't easy for the son of a captain. He wants to talk son-to-father, but too often it's in front of the crew, so it winds up sounding like an out-of-line ensign sowing discord. And when it seems like they're talking father-to-son, Killeen reverts back to captain-to-crew. The reason for that is Toby is carrying around the personality of his father's dead girlfriend, Shibo, on a chip mounted into his internal computer system. Killeen claims that it's because she was an important member of the crew with valuable skills, but Toby thinks Dad just can't let go. They're both right.

In the hierarchy of dead people stored on computer chips, personalities are at the top. They take up a lot of memory and, given enough time, can override their host. And that's what Shibo starts to do.

After a hellish trip through the high energy physics equivalent of Scylla and Charibdis, the Argo arrives at an odd oasis in some kind of balanced region within the maelstrom, a bit like a Lagrange Point but with space-time at work instead of gravity. Interacting with the people there is odd, and there is much confusion between the two parties with the locals using home field to their advantage rather than trying to help their distant cousins.

In the midst of negotiations, Toby has an outburst which complicates matters. Killeen tosses him into the brig. When Toby gets word of what transpired in his absence, he feels like he was setup. Toby runs away with Quath, who acts as a guard/guide. They sneak behind the proverbial curtain only to fall into what I think were pocket universes of space and time. Things get a bit strange as Benford plays around with physics at a level I can't pretend to understand. Toby finds himself on his own, struggling to deal with Shibo's needy disembodied personality, the weirdness of the landscape he finds himself in, coming of age as an adult, and being pursued by malevolent entities.

At my age, I'm not really into coming of age stories, but when Benford doesn't make the story all about Toby, it holds up. The exploration of around the galactic center made for some entertaining reading. I wouldn't have minded more of that. But I struggled with the physics involved getting near the core and Toby's explorations at the oasis. The conflicts are kind of resolved, but not really, and the ending is something of a cliffhanger. Still, if you've made it this far into the series, you have to go all the way.

3.75 stars

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DED