Draft2Digital Adding Fees

If you're an author who uses Draft2Digital for publishing your work, then you already know what I'm about to post. For the rest of you, read on.

Draft2Digital sent out an email this week informing its clients that they're going to add user fees to their platform. The first is account activation fees. Due to "automated content farms" overwhelming them with "slop," (in other words, AI-written books) they're requiring a one-time $20 fee to set up an account. Combined with "verification tools and human reviewers," they hope to cut down on those clowns that are abusing the system.

I'm ok with this. Granted, I'm an existing account holder so I'm exempt from this fee. However, the next one hits me, and I'd imagine probably about 90% of the authors who use their service.

There will now be an annual maintenance fee of $12 applied to all "accounts whose earnings from book sales, meaning your net proceeds after D2D's commission, total less than $100 over the preceding 12-month period. If you earn $100 or more from your book sales over 12 months, you will not be charged this fee." (emphasis on "net" is mine)

So if your book sales suck, which admittedly is most of us indie authors, you're not pulling your weight. We apparently need to up our game because we're a drain on their margins. As if we're not dealing with enough production costs (editing, typesetting, cover art) and marketing costs (ad campaigns, giveaways, paid reviews, etc.), we now have the added pressure of meeting our digital printer's revenue quota or else pay an annual fee. Swell.

As Smashwords is a D2D property, expect to see their FREE section to dwindle to next to nothing (well, successful authors can introduce the first book in a series for free to lure readers in and hope they can hook them for the rest of the series). In the past, Smashwords published statistics showing that the vast majority (90+%) of books that were purchased from them were books listed for free.

Needless to say, I am unhappy about this. I typically list my books for $2.99. After D2D takes their cut, I get $1.78. So I need to sell 57 copies to avoid the additional $12. If you think that's easy, then you don't know how difficult indie publishing is.

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Book Review: The Rosewater Insurrection

All is quiet in the city of Rosewater as it expands on the back of the gargantuan alien Wormwood. Those who know the truth of the invasion keep the secret.

The government agent Aminat, the lover of the retired sensitive Kaaro, is at the forefront of the cold, silent conflict. She must capture a woman who is the key to the survival of the human race. But Aminat is stymied by the machinations of the Mayor of Rosewater and the emergence of an old enemy of Wormwood...

Whereas the first story in this series is told from the perspective of Kaaro, xenosphere sensitive and S45 agent, he takes a back seat here while Thompson tells the tale of Rosewater Insurrection from multiple perspectives. There's Aminat, S45 agent and Kaaro's girlfriend; Alyssa, a woman who can't remember who she is or any of her family; Jack Jacques, the mayor of Rosewater; and Anthony, the avatar of the alien Wormwood that is the heart of Rosewood. There are also a handful of minor characters who help move the story along: Eric the assasin, Walter the author, and Bewon the disgruntled guy.

Thompson doesn't waste much time getting to the insurrection referenced in the title. The president of Nigeria insists that Rosewood have elections and already has a candidate in mind. He's intent on driving Jacques out of office, but the mayor resists and declares Rosewater's independence. This pisses off the president, who calls in the military to violently put down the insurrection. Jacques is counting on Wormwood to protect the city, but something's amiss.

Anthony intuitively knows that something is making Wormwood sick, so he seeks out the cause. Meanwhile, as the bombs fall and bullets fly, Aminat is trying to find Alyssa and bring her in for study as S45 thinks there's a connection between her and the alien.

In Rosewood, we only got to see Aminat through Kaaro's eyes, but she really comes into her own here. She has to walk a fine line between her love for Kaaro and following her boss's orders to bring in Alyssa, made all the more difficult by the battle raging in the city. Alyssa is treated to her own evolution from selfish amnesiac to something more. I admit it took me a while to appreciate her as a character. And we get the mayor's backstory too. Parts of it will certainly have some readers thinking TMI, but it does help explain how he became the man he is.

The Nigeria that Thompson describes in 2066 is as complicated as it is today. Thompson doesn't sugarcoat his descriptions of the place. Suburbs and modern technology are countered by poverty and criminal gangs. The line between politicians and crime lords is a thin one. "The Tired Ones," an organization that Mayor Jacques has been involved with for decades, offers a sober perspective revealing the continent's nations are still stuck in a kind of adolescence.

Thompson also offers us a look into the homeworld of Wormwood. While it seemed in Rosewater that the aliens might've been benevolent in their colonization of Earth, Insurrection reveals that the aliens aren't on a moral high ground compared to us humans. Like us, they're not a monolithic people. All you can do is hope that the good guys win. It might be difficult to determine that though.

4.25 stars

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Book Review: Sundiver

In all the universe, no species has ever reached for the stars without the guidance of a patron—except perhaps mankind. Did some mysterious race begin the uplift of humanity aeons ago? And if so, why did they abandon us? Circling the sun, under the caverns of Mercury, Expedition Sundiver prepares for the most momentous voyage in our history. A journey into the boiling inferno of the sun... to seek our destiny in the cosmic order of life.

Brin's Uplift Saga was easily one of my favorite series way back in my younger days. The thing is, I started with the second book (Startide Rising), being unaware that the series started with Sundiver. I always meant to get to it, but didn't have a chance until now. Having done so, I'm going to re-read the six-book series which was published from 1980-1998.

So as the book blurb states, no species has ever reached the stars without the guidance of a patron. But somehow, Humans were able to do it on their own. It is an amazing feat, if true. However, it came with a few tradeoffs. On the negative side, we had to invent everything that the Galactic Library just teaches the other races, not to mention our species' tumultuous adolescence (wars, pollution, etc.). But on the positive side, we were spared the indentured servitude client races have to endure at the behest of their patrons. These can go on for hundreds of thousands to millions of years.

While a few races cheer us on, the vast majority see us as enigma or worse, an abomination. Surely, the Humans must've had a patron at one point but for some inexplicable reason, abandoned the uplift process, a crime by galactic standards.

Rumors are circulating that clues to our patron can be found inside the sun, so an expedition is underway to search for those clues. How can a spaceship possibly survive a trip into the sun? Well, there's a back-of-the-envelope style explanation that Brin gives us and it involves a refrigerator laser and thermodynamic equations that I don't fully understand, but he holds a doctorate in astrophysics, so I trust him that it's legit even if the technology is currently beyond us.

So besides the human crew and passengers, there are some alien representatives going along as advisors and witnesses, some friendly, some not. Jacob is our protagonist, who was invited to go along by Fagin, a Kanten (a mobile, tree-like species), to serve as an investigator. The story is primarily told from Jacob's viewpoint. Also present are the commander of the ship, Helene deSilva; Bubbacup, a Pila representative from the Galactic Library; his assistant Culla, a Pring, who are a client race to the Pila (pictured on the cover); Dr. Kepler, the Human head of the mission; Dr. Martine, a psychologist; and LaRoque, a politically charged journalist invited along to write about the mission.

Brin crafts the story as a mystery. There's a murder to go along with schemes to end the mission with disappointment or failure—depending on the schemer. It's up to Jacob and his fellows to figure things out to save Earth's reputation and (mild spoiler) their lives, for the stakes are higher than they realize.

All in all, an enjoyable read.

4 stars

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DED

I Hate Marketing: Goodreads Giveaway

At the end of August, I announced that I was running an eBook (Kindle) giveaway on Goodreads during the month of September. They were running a special (only $99!) whereupon I could give away up to 100 eBook copies, and they would handle everything: picking winners from those who signed up on Goodreads and sending out copies. I recently had acquired a debit card for switching ISPs, so I decided to go for it.

I chose Armistice Day for the giveaway in hopes that if people liked it that they would go on to buy Gateway to Empire.

I was a bit nervous come launch day. What if no one signed up for my book? I've never had a problem giving away things for free. I've given away couches, stairs, books, tapes, toys, 3D printed models, a door, and many more things, but still I worried that somehow either the book cover or the blurb would turn potential readers off.

Silly me. Never underestimate the power of free.

I had 75 people interested by lunchtime, and 120 people signed up by the time I went to bed. What a relief! Over the course of the month, the pace of signups slowed, but by the end of the month I reached 953 entrants! I was psyched!

Now most people don't go through the trouble to write reviews, so I figured that if I got five reviews, it would be a success. So I sat back and waited.

Three months later, I'm here to tell you what the results are.

Ok, there's no way to sugarcoat this. Things didn't pan out the way I'd hoped: I only got 1 review and 3 ratings. The review was good, and the reviewer gave me four stars. The other two ratings were three stars, which I'm completely fine with. And no, it hasn't led to more sales for Gateway to Empire.

The most recent rating came on November 15th, so what happened to the other 97 winners? Shouldn't I have received a bunch of ratings by now? Based on my GR experience, most people at least rate a book even if they don't review it. GR always wants to know what you thought of a book (so that it can recommend other books to buy read). It'll leave you alone if you rate the book. It won't nag you to review it. So my guess is that the bulk of the winners are voracious readers who enter giveaways because their appetite exceeds their wallet. They collect as many books as they can for free. They'll read them all eventually. Or not.

Just to clear, I don't blame GR at all. They handled everything professionally, didn't treat me any different than trad pub authors, and provided me with the statistics I requested.

Am I bummed about the poor review/rating to books given away ratio? You bet! But that's the way it goes. Would I do it again? Maybe, but not until I've had a chance to explore other methods first.

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Book Review: Network Effect

After reading a couple of short stories in this series, including one that's an intro to the humans in ART/Perihelion's crew (see Artificial Condition), I felt that I was ready to start catching up on Murderbot stories. Yes, it was good to get back.

The story opens up with Murderbot providing security for a research trip at the request of Dr. Mensah. Besides some friends of Murderbot's, there's also some of Dr. Mensah's family members on the mission. Not everyone appreciates Murderbot's expertise—it is a SecUnit after all—but you know they will eventually.

Oh and some thugs try to rob the expedition and hint at possible kidnapping.

Nobody fucking listens to me.

After that "welcome back" scene, there are some flashbacks and then the story soon moves into the main plot: On their way home from the mission, they're ambushed by a much larger ship and, despite Murderbot's efforts, are captured. Before they can be rescued, the captor ship escapes through a wormhole.

From here, Murderbot has to fight off the attackers, figure out who they are, and where they came from. ART shows up (it's more complicated than just showing up but explaining it would be a spoiler) and needs to have its crew rescued from the same raiders that attacked Murderbot's humans. The situation gets messy, and Murderbot is overwhelmed. That leads to an unlikely alliance of rescuers.

Feelings—Murderbot's dreaded f-word—make their way into the story, forcing Murderbot to have to confront them, which often leads to a system reset. But sometimes it's better at dealing with some feelings than others. For instance, there's another SecUnit in the story, just hanging around waiting to die (its clients are prisoners of the raiders). Murderbot recognizes the predicament this other SecUnit is in, so it makes it an offer: "I can disable your governor module. I'll do that whether you help me or not." Translation: I'll break the chains that bind you, that enslave you, that can kill you, and you don't owe me a thing. It's such a wonderful act of selfless compassion from a snarky person who claims not to care about others, except when it so obviously does.

4.5 stars

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Book Review: 40,000 in Gehenna

Found this at the annual C.H. Booth Library book sale. It's a standalone in the Alliance-Union Universe of which Downbelow Station is probably the most well-known. Having recently read The Pride of Chanur, I was curious to read something else by C.J. Cherryh. Unfortunately, this one wasn't as enjoyable.

The book is essentially divided into three parts: the founding of the colony by the Union and its demise, re-contact with the descendants of the survivors by the Alliance, and the rise of the Gehennan civilization. The first section starts out dull and then fades into a depressing morass of doom. The middle section is ok, but every time an interesting character comes onto the scene, their time on the stage is too short. The last section proves to be the best as not only do the characters stick around, but we get to learn about how humans and calibans have interacted to build their civilization together.

I think this book would've been better if Cherryh eliminated that first section altogether and just summed it up in a briefing of Alliance sociologists or had them figure things out as a mystery.

The majority of the colonists were azi, programmable clones. The azi got their skills uploaded into them via "tapes." While they didn't have a choice as to whether they would go to Gehenna or not, they were promised that they could live like "born men" and have children of their own. While it was a promise that was kept, eking out a life on Gehenna proved difficult as the climate was tough on both man and machine and the supply ships never came.

The first section of the book spent a great deal of time on them, even looked into the life of one of them, Jin. When the clones have children, they lack their parents' reverence and obedience. You could say that they're rebellious, or that, being smarter than their parents, they realize that they've been screwed over.

But that final section is where Cherryh really shines. The dynamics of the human-caliban relationship is brought to fore. It's a complex one as human leaders interact differently with the calibans than the weirds do. While it might seem like a caste society, genetics are the true determination. The "first" among a tower will quite likely have a child that shows the characteristics of a weird. The calibans have their own battles for dominance based on color and size. And calibans play a large role in human politics.

But getting to this last part required a lot of patience from me. While some readers have plenty of patience, other potential readers might not. If you're the type of person that can hold out for 100+ pages, you have a chance. If you're not, well...

Two-star start. Three-star middle. Four-star finish. So, three stars overall.

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DED

Book Review: Rosewater

Rosewater is a town on the edge. A community formed around the edges of a mysterious alien biodome, its residents comprise the hopeful, the hungry and the helpless—people eager for a glimpse inside the dome or a taste of its rumored healing powers.

Kaaro is a government agent with a criminal past. He has seen inside the biodome, and doesn't care to again—but when something begins killing off others like himself, Kaaro must defy his masters to search for an answer, facing his dark history and coming to a realization about a horrifying future.

Rosewater offers a fresh perspective on the alien contact sub-genre. It takes place in Nigeria with a cast of characters who are locals. America has gone dark, and no one knows why. The remaining world powers keep their distance, though at least one would like to learn more about the alien biodome. But they're on the periphery at best. Instead, it's the Nigerian government that has a vested interest in this strange visitor that appears to be both benevolent and threatening.

The story is completely told from Kaaro's POV. He's a sensitive, someone who can read minds thanks to the xenosphere, an effect created by microbes and spores emanating from the biodome. There are a couple of timelines that the narrative switches back and forth from, and one of them involves Kaaro's youth when he stumbled upon his abilities. It turned him into a thief. We learn how he honed his abilities, his recruitment into a government spy agency (S45), and his day job in xeno-security where he defends a bank from criminals who use their sensitivity to hack bank accounts.

I usually don't enjoy stories involving any super-mental capabilities (telepathy, telekinesis, teleportation, etc.), but the way Thompson establishes how sensitives work with the xenosphere, the limitations placed on it, and countermeasures, it was something that I could get behind.

Kaaro is not without his flaws. In the oldest timeline, we endure his thieving. During the recruitment process, he's a coward and a womanizer. In the "current" timeline, he's a jaded, dour man in his 40s. We root for the younger Kaaro to grow up and the older Kaaro to stop being so cynical. Thompson does a great job with Kaaro's evolution, though I wanted one timeline to resolve itself before going to the next. But the way Thompson has the story structured, waiting for the big reveals turns out to be the best move.

I look forward to reading the rest of the series.

4 stars

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DED