West
Germany, 1949. Former actor Max Kaspar suffered greatly in the Second World War. Now he owns a nightclub in
Munich—and occasionally lends a hand to the newly formed CIA. Meanwhile, his brother Harry has ventured
beyond the Iron Curtain to rescue an American scientist. When Harry is also taken captive, Max resolves to
locate his brother at all costs. The last thing he expects is for Harry to go rogue.
Max's treacherous quest takes him to Vienna and Prague to Soviet East Germany and Communist Poland. Along the way,
dangerous operators from Harry's past join the pursuit: his former lover Katarina, who's working for the Israelis,
and former Nazi Hartmut Dietz, now an agent of East German intelligence. But can anyone be trusted? Even the
American scientist Stanley Samaras may not be the hero Harry had believed him to be...
In the fourth novel of the Kaspar Brothers series, Steve Anderson cranks up the dramatic tension. The story
is set in a postwar Europe transitioning to the Cold War. The Soviets have begun to flex their muscles in Europe,
and the Americans are trying to hold them off while the U.K. and France are busy mending their wounds. Weary of
war, all sides have resorted to brinkmanship to see who takes the leadership role for the second half of the
twentieth century.
Into this setting, we reunite with Max, who we first met in The Losing Role, where he was an operative
in Operation Greif during the Battle of the Bulge. Max spent most of that novel running scared, fearing for
his life. He wasn't a hardened soldier or zealous SS officer. He was just a down an out German actor conscripted
into service.
But since the war, he's spent the time trying to forget it, except when he's called upon to do the right thing
(as in Lost Kin) because the factions may have changed, but there are still evil men in the world bullying
the weak and downtrodden. And it makes him angry. When he's visited by an odd, little man while working at his
nightclub that anger resurfaces. The man claims that Max's brother Harry is being held for ransom, which Max
must deliver. Max is furiously protective of his brother and can barely restrain himself from taking it out on
the messenger. Later, when Max encounters the man responsible for the death of a dear friend, he so desperately
wants the man to suffer, but as the man is necessary to complete the mission, he has to tamp down that anger.
As suggested in the book blurb, no one is completely forthright with Max. Whether that's to protect him or
deceive him is dependent on the person in question. It leads to a constant string of surprises for Max (and
the reader), forcing him to react quickly or change plans in order to find his brother and get home safely. He
reacts differently to these deceptions. They become a way for him to work through his anger, on some level
accepting what he cannot change, which leaves him exhausted.
Lines of Deception is another solid entry in the Kaspar Brothers series. The setting is
thoroughly researched with Anderson dragging in historical events to craft a credible and entertaining
story. Strong characterization leads the reader into believing what the characters are telling Max, but
when their deceptions are revealed, it doesn't strike one as being out of character. One realizes that
Anderson left clues all along the way. Ultimately, it enables Anderson to turn a spy thriller into
catharsis for his protagonist.
4 stars
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DED