Patrick Gawain knows monsters. He's seen plenty of the human sort in the Holy Lands, and as he sails home from The First Crusade, a hooded apparition begins to stalk him. Convinced that he's lost his mind, he holes up in a monastery to convalesce and, if recovery proves impossible, to hide his demons from the world. But a stranger comes to find him and presents a barely credible invitation: travel to Avalon and serve with the Avangarde, an order of knights sworn to protect young scholars from around the world.
Thinking it will be a fresh start, Patrick agrees, and soon discovers that Avalon is more than a myth; it is the site of a vibrant secret academy - and it's also full of ghosts, goblins, and talking wolves. He can capably protect the castle from the island's supernatural beasts, but in the relative peace of the academy life, his hooded demon returns and his troubled heart causes him to sabotage the love of a young woman, Katherina. When an ancient being with sinister designs for the island infiltrates the academy, Patrick is the first to suspect its true nature when it begins its quest by seducing Katherina.
Patrick soon learns that before he can defeat monsters, he must first defeat his personal demons.
This was a tough book to finish, but after taking a break midway through, I was able to get it done. It could've used a developmental edit to whittle out 150-200 pages. Why is that? Well, as someone complained in the Goodreads comments, nothing happens for the longest time. This isn't epic fantasy. There's no great quest. It's clearly not Arthurian legend. It took forever to even learn who the villain was. This is a character driven story, and that's generally incapable of supporting a 500+ page novel.
At first, I thought this was going to be a story about a knight with PTSD, suffering from what he witnessed during the Crusades, but then the hooded apparition and Gawain's dwelling on the war disappeared from the story. It was replaced by day-to-day life on Avalon, which turned out to be rather mundane given the mysterious opening regarding how one gained access to the island. It all seemed like so much soap opera: Which knight is courting which lady? Will Gawain ever realize the affections of a certain handmaiden?
The villain arrived late and was more annoying than threatening. His relationship with his minion, Minion, was like watching a Saturday morning cartoon in the 70s. I won't say his name as that would certainly spoil it for future readers, but it's a name that carries a lot of literary baggage. The villain's origin story in the middle of the novel was wholly unnecessary as it didn't change my opinion of him nor enlighten me to his motivations. A shorter version could've worked as a prologue in a shorter novel, but randomly dumped in the middle of the book was too much, too late.
I would give this 2.5 stars if that were possible on Goodreads. I rounded up to three as Copeland shows that he firmly grasps characterization (I stuck with the story because I cared about Gawain). He's also capable of fine world-building and garnishing it with the proper descriptive prose to render the scene, even negative ones—the opening scene on the boat stirred up a recent seasickness memory. He just needs the right editor to tighten the narrative and make it less tedious.